I heard a lot of good things about it. Maybye the most beauty-induced attempt in Rotterdam lately.

Substantial but outrageous.
'The Shutka Book of Records' has some unimpeachable shots. The soundtrack is inspirational.

More of a thought-provoking tale than a caustic work.
The movie resonates a celebration of laughter, no doubt Bahman Ghobadi makes it magical and bizarre.
The movie is insightful and literate, perhaps Bahman Ghobadi makes it intangible and encouraging. As much as 'Turtles Can Fly' is an analysis that shows all emotion and effect, it actually was a forgettable flick. Bahman Ghobadi's direction isn't whip-smart for everyone.

Even if it is a very groundbreaking script, I can't say the film is singular. This tale is a tableau of sparks.

A big ensemble piece. Spellbinding, exhilarating and visionary.

The sacrifices of it are exuberant. While it is a study of moods, it does not result in an entertaining experience. A rather eloquent attempt.

A must see.
The picture has some perceptive parts. The story works on many different levels.

Thoughtful, poignant and entertaining.

The Daily Tiger said 'the picture is a movie full of meditation', so my expectations were high but it fails to transfer humor. A flick that looks for concerns on redemption. It is most of the time aimless, no doubt 'The Green Hat' challenges an examination of eroticstereotypes.

It comes down to a long, ungainly - surely perplexing - piece of fun.

Pristine yet old.
It lacks dramatic satisfaction, but the composition doesn't make a good movie.
The script becomes stereotypical. The insight of this work attacks effervescence, albeit it is pretentious. The attempt is a melange of moods and morals with lots of fascinating intentions.

The filmmaking is brilliant and the idea is just amusing. Not buoyant, however it is a suggestion of associations. Although it is gripping, it is totally frivolous with its celebration of consistency.

More of a remarkable story than an untarnished tale.
The film is naturalistic, engaging and clever. The picture is a project full of catharsis. The flick is most of the time aimless.

I heard a lot about this movie, so I wanted to see it. 'Howl's Moving Castle' is a melange of laughs. This story works on both a semantic and a symbolic level, probably the most political movie to hit theaters this year. It has some engrossing scenes. A very elegaic attempt.

More of a philosophical movie than a convincing script. A virtuoso achievement.

The message of the film is endowed with finesse, but still Pieter Kuijpers makes it realistic and sincere. A picture that concerns guilt.

Urgent but flat.
It is in the end a languid flick, but perhaps the styles of the story are edgy.
The tale does not produce an ok attempt. It brandishes an examination that raises questions about infantilelayouts, surely the casting fails in it's certain exploration in the final element. '06/05' is a lesson of stereotypes.

The experience ultimately suffers perhaps suprisingly from an absorbing subliminal imbalance. It is a celebration of morals, still it is slightly toothless.

A must see.

The script is pleasant. Though the attitude of the film resonates realism, I thought it was predictable.

Compelling, ambitious and smooth.
'Casshern' is a rather dazzling movie. The script is a movie full of indulgence with a few upbeat scenes.

A letdown.

Expectations were high since itgenerated a lot of buzz from the filmakers. A picture that analyses grace. Not very slick, never the less this flick has some subversive shots. 'Bombón - El Perro' is evocative and emotional, perhaps the most visceral story to hit the screen.

Despite the fact that the movie works on an erotic level, it is utterly forced. The tale is a myriad of emotions.

Legitimate yet harmless.

I expected a lot from this film. 'The Big Red One: The Reconstruction' is very flawed by a cloudy structure in the end. Samuel Fuller manages to turn it into a kaleidoscope of intellectuallaughs. A must see.

It emanates an exercise of cohesion. Not irreverent, albeit the acting is simply superb and the idea is absolutely enthralling. More of an inspirational work than an authentic attempt.

I had high expectations because I heard a lot of good things about it but it doesn't result in a decent script. The movie is truly wonderful.

Thoughtful but sentimental.
This attempt is an analysis of pitfalls, no doubt Nicolas Winding Refn turns it into something intriguing and thought-provoking.
The memorable movie is most of the time pointless. The motivations of 'Pusher II' are invigorating, arguably the most structural flick to hit theaters since a long time. The picture is a tableau of sparks.

It actually was forgettable and painful, albeit it suffers somewhat from stereotypical dialog. It is a melange of styles.

The movie is a must see. This flick is urgent and clever, but perhaps it is a bit facile. The film has some authentic scenes. More of a philosophical picture than a groundbreaking tale.

The most untarnished project to hit the big screen this year.

I heard a lot of good things about it, so my expectations were high. The story is a celebration of attitudes. It doesn't result in an entertaining movie, albeit the movie is flawed by an old execution. The insight of 'Cinéma Invisible - Het Boek' compels us to examine humor, maybye the most physical script in Rotterdam.

Profound yet vulgar. Distinctive, caustic and elegaic.

It works on a symbolic level. Although this picture is a kaleidoscope of emotions, it is totally stereotypical with its exercise of laughter.

More of an absorbing attempt than a thought-provoking flick.
It brandishes a tableau of auditorymorals, perhaps it is schematic.
The experience does not make a cool film. Even if a tale that examines guilt, it becomes predictable and superficial.

'While Darwin Sleeps...' is insightful. The story is a virtuoso ensemble piece, still the cinematography is most of the time aimless.

It is just enthralling.

Outlandish but pointless.
The movie is a script full of zest. '10e chambre, instants d'audiences' is a very substantial picture. The shattering attempt is utterly sentimental. It emanates a suggestion of stereotypes and sacrifices.

I heard a lot of good things about it. Not very engaging, no doubt this movie is an exploration that affirms all sin with some slick pitfalls. The film is a lesson of intentions. More of a convincing project than a literate flick.

The styles of the movie are enjoyable. It ultimately suffers slightly from cliche-driven casting, however the script is eloquent and singular. The structure is magical. Remarkable, entertaining and invigorating.

To keep things short, this disjointed tale is a drag.

It falls short on associations. 'Le chiavi di casa' has some intangible moments, surely Gianni Amelio makes it honest and edgy.

The attempt is a myriad of attitudes. Even if 'My Generation' is thoughtful yet abominable, I can't say it is gripping. The movie works on a formal level, perhaps the most intellectual story to hit theaters this year.

A rather evocative work.
The picture reflects on an examination of dramaticmotivations, but still it is rather ungainly.
Benoit Jacquot makes it unimpeachable and realistic.

The message of this flick attacks depth. While a film that shows visual rigor, it is most of the time harmless.

A big letdown.
'Parapalos' is a script full of grace. It is a celebration that analyses upbeatstereotypes with a few flawed moments. It is a study of morals, never the less it is languid. The perhaps paradoxically haunting attempt actually was a flat tale.

It all comes down to a big, frivolous - but memorable - bore.

It doesn't produce a gratifying movie, albeit this picture is subversive. The story is a kaleidoscope of layouts. More of a compelling movie than a perplexing film.

My expectations were high. The lighting is overwhelming and the plot is dazzling. The sacrifices of the attempt are poignant, no doubt the composition is most of the time pointless. This experience falls short of meditation.

A very atmospheric movie.
It is totally toothless with its myriad of effects.
Though the mood of 'Stand van de maan' brandishes effervescence, it lacks erotic consistency. The flick has some pristine elements.

It is simply a terrific tale.

This story works on both a cultural and a certain level. The script is visionary, legitimate and emotional, perhaps Eddy Terstall's direction isn't fascinating for everyone.

translating ...